Showing posts with label africa. Show all posts
Showing posts with label africa. Show all posts

Monday, March 17, 2014

Public art meets crowd-funding for social change #ANOTHERLIGHTUP in Cape Town, South Africa






 On De Waal Drive, driving out of the city bowl in Cape Town, South Africa, you have the view of the Cape peninsula's valley also known to many people as The Flats.  The Flats extends all the way to areas like Monwabisi, a sub-area of Khayelitsha, one of Cape Town's most populated districts.


 On that same drive, you can see the new Urban Visionary, a multi-storey mural and light installation created by the founders of Thingking and artist Faith47.  They collaborated on the new design and have enabled public street art to be a catalyst for change through crowdfunding for a social cause.  They aim to raise funds for public street lights to be installed in Monwabisi Park, Khayelitsha, through the organisation VPUU (Violence Prevention through Urban Upgrading).  For every light that is funded for in Monwabisi, the Urban Visionary mural is lit up in the evening- inspiring and engaging more people to become more active members in their society through #anotherlightup


 To read more about it here and to donate to #anotherlightup:



About the project | #ANOTHERLIGHTUP







#ANOTHERLIGHTUP from Design Indaba on Vimeo.

The mural on the same wall before Feb 2014 Urban Visionary #anotherlightup was put up

Wednesday, August 7, 2013

Wild Talk Africa - Social Documentary Photographer


I had the pleasure of documenting Durban's Wild Talk Africa 2013 Conference and Film Festival.  This event focuses on the growth of business in the wildlife film industry, hosting international commissioners from broadcasters around the world and showcasing amazing talent and pitches from filmmakers across the African continent.  It also included networking parties, exhibitions, screenings and premiers, along with a film awards ceremony.

  Throughout the three day conference, I was able to weave between open pitching sessions, seminars and workshops that were hosted by inspiring and talented folks.  Durban's sun-filled winter weather added to the vibrant nature of the conference that was organised by the team at Natural History Unit Africa.

 Take a sneak peek at the different faces and scenes that happened in and around Durban's bustling port hotel, Docklands.

 For more photos check out Wild Talk Africa's Facebook page.

Top right: Donfrey Meyer- Wild Talk Festival Director, bottom right & top left: Sky Lab Productions, bottom left: Homebrew Films, Claudio Velasquez Rojas 
Open Pitching Sessions.  Candid shots of BBC's Natural World-Chris Cole's animated feedback
Peter Hamilton of DocumentaryTelevision.com gave such great workshops and seminars. Here's him passing his business card.  I was amazed on how many candid business card exchanges I captured during the conference.

Open Pitching sessions with Commissioners.  Top right: NHU Africa's Vyv Simpson. Middle row: Discovery Channel's Helen Hawken, Bottom left: Off The Fence, Allison Bean. Bottom right: NHK Masahiro Hayakawa, 

Top left: Exhibitors at Wild Talk are having fun.  Top right: TOPTV Content Editorial Mangaer, David Makubyane. Bottom left: Happy Wild Talk Camerman: Nyembezi Ncaba.  Bottom right: Laurent Flahault, TAIA Visions France Television


Pitching Sessions with Top Left: Fox International, Thandi Davids. Right: Thomas Matzek, NHU ORF. Bottom left: Chris Fletcher, Earth Touch

Top left: Dairen Simpson from Triosphere Productions's Trapped, enjoying Durban's sunshine.  Right: Chris Mason, NHU Africa posing in To Skin a Cat's faux leopard fur.  Bottom Left: Julie Frederiksen of Vuleka Productions chatting it up at Docklands Hotel.
Delegates listening during workshops and seminars.  Left:  Nothando Shozi, Head of Factual Genre, SABC

Top left:Thomas Matzek enjoys Durban Wild Talk 2013. Top right: Julian Rademeyer, author of Killing for Profit, chairs a seminar on War Stories: Rhino Poaching.  Bottom Middle: Director of Saving Rhino Phila, Richard Slater-Jones, shares insights during the Wild Talk seminar on Rhino Poaching.

NHK Japan's Masahiro Hayakawa is all smiles after the speed pitching session.

Delegates head out for the Wild Talk networking parties on Durban's beachfront

  For more photo albums check out Wild Talk's Facebook page.

  For documentary photography, contact Athena Lamberis, Athenailya@gmail.com

Saturday, May 25, 2013

Cape Town Taxi Cab Drivers: Food for Thought


   A few years ago, I contacted Layne Mosler, founder of TaxiGourmet.com.  I admired her taxi journals and the search for New York City's best food joints by the city's very own cabbies.  I knew Cape Town would be a great place to explore the city's diverse culture, stories and places to eat. Food is not only a shared necessity, but I thought a unifying tool for positive interaction and meaningful conversations.  Highlighting taxi cab driver's tips and favourite spots, could promote a broader awareness, respect and appetite for the cultural diversity and flavours in our city.  Since then, I have met various cab drivers and digested delicious food and interesting stories that come from various parts of the country and Africa.  

  Today, I sat on the steps of Darling St. and Plein St. with Eti, an independent taxi driver.  He shared some thoughts about Cape Town, his struggles and happiness and where a vegetarian, like himself, goes to eat Cape Town's best burger.

         


  It was past lunch time, and the streets were full of Saturday shoppers.  Four young men were playing "Beautiful Girl" on trombones and trumpets with a growing crowd of afternoon spectators.  While Eti waited for customers he told me that making a living on four wheels gives him happiness and minimal stress. 

"To work for yourself is very good. I like people and I enjoy being a taxi driver." 

 His jovial smile and sociable manner matched the slogan painted across his white taxi: Meet as Strangers, Leave as Friends.  Eti has been an independent tax cab driver for four years.  He arrived in Cape Town, South Africa from Burundi, in 2000.  He left his birth country, Burundi, as a young man to avoid being forced to fight in the army.

"I came by ship to Zambia," he proclaimed, "I came to seek peace."

He crossed Lake Tanganyika, the world's longest fresh water lake in the world, to escape the war in Burundi.  Four days later, he arrived in Cape Town to meet his brother and cousins who had settled here.

"Cape Town is my home city, no doubt.  But my refugee status is the only problem.  It's like you're in prison. When my father passed away I couldn't leave because of my refugee status.  This makes me sad.  If I wanted to leave and go on holiday, maybe Mozambique or Zambia, I can't."

  A person with refugee status in South Africa can lose their refugee or asylum status if they leave the country without permission from The Ministry of Home Affairs.  Applying for asylum in South Africa involves applying for a permit/Section 22 every three months until their application is approved.  The permit does not recognise a person as a refugee, it is simply proof that they have applied for the status.  If the application is approved, then the person will receive a refugee document ID and travel documents, which have to be renewed every two years.

Before Eti became a taxi driver in Cape Town, he worked as a security supervisor in Groot Constantia near Jonkershuis Restaurant.  

"The owner of Jonkerhuis, Chris, is a good friend.  He is a good person to me.  I know him because I was looking after his business when I worked in security."

He shared his thoughts about Cape Town and what makes it different from where he grew up.

"It's a city with a lot of different people and different countries.  Even the city authorities care for the people in the Mother City."

In the winter season, taxi cab drivers work longer hours to meet their daily quota.  For Eti, he parks his taxi close to one of his top three lunch spots.

"Eastern Food Bazaar has everything; Asian, Pakistani, Indian.  I like the fried rice. I'm a vegetarian," he proclaimed. "It's keeps you strong, and it keeps me healthy. 

His second choice on where to eat in Cape Town is Jonkershuis.

"I eat their burger."  He confessed that the burgers are so tasty that even a vegetarian would eat them. :)

"I also eat at the Nigerian restaurant on Loop St near the Pepper Club.  I enjoy the bitterleaf soup." 

 "I'll definitely try that!" I answered.

I asked him what else he wanted to tell people visiting or living in Cape Town. 

"Instead of people being afraid of Cape Town's city or the taxi drivers, they must trust us,"  Eti added.

  This sentiment is shared by many independent Cape Town taxi cab drivers.  Besides finding cabbie's recommendations for Cape Town's restaurants and cafes, sitting down and listening to stories of Cape Town cabbies highlights our culturally-plural and complex city.  It promotes an exchange of ideas, reveals global topics and issues and promotes a greater understanding of our city and fellow citizens.  Many cab drivers in the Cape Town continue to share and access the best of what the city has to offer and like Eti, reveal their happiness and peace by calling Mother city their home.  

_______________________________________________________
*names have been changed.  

 On May 25th, 100 in 1 Day, a festival of doing was activated in Cape Town with over 100 urban interventions/activities/installations, etc.  Taxi Cab Lunch, was an intervention to motivate people to Taste, Share and Explore the city through the eyes of Cape Town's cab drivers.





The Hungry Season - Food Security in South Africa

#foodsecurity #southafrica 

Friday, March 1, 2013

Detroit, Sugarman, and South Africa

A story strong to South's Africa heart beat, plays a different tune for Detroit's singer-songwriter Rodriguez.

picture jacked from Google.com
  Living in South Africa and hearing the impact of his music upon adults from that generation is fact to how powerful the powerful influence of music is to our collective history.  Music's language connects personal experiences across the world.

The locational link of this particular music story-South Africa and Detroit caught the interest of my dad, who grew up in Detroit.

 He recently forwarded me this article after watching the Documentary made about Rodriguez and South African listeners: Searching for Sugarman.

 Rodriguez' lyrics and music stretched beyond the artist's imagination into a moment of history that has been shared with the world.

  Click here to read the article:

   Long before Oscar-nominated doc, Detroit writer went on his own search for Sugar Man | Movies | Detroit Free Press | freep.com

Sunday, October 21, 2012

Conscious Hip Hop and MC's: She The Hard Way

Eversince Lupe Fiasco released "Bitch Bad", I was thinking where the Female voice was in Hip Hop.  Nicki Menaj and Azelia are bubble gum wrappers that don't have much chew capacity.  Mc's are not absent, they are strong in all parts of the world.

  I am drawn to the sisterhood in Atlanta where the MC's are releasing lyrics to the highest super delight, no need for repetitive materialistic chants-just solid dope lyricists that don't spit from an adam's apple and represent Respect.

 I'm giving respect and spreading inspiration from She the Hard Way.  A collaboration of different poetic flow from Sa-Roc, Khalilah Ali, Stahhr, Rita J, Boog Brown.  I love the way Stahhr describes the compilation as a delicious 5 course meal.  I don't have any information on the progress of this project, but each of these MC's hold a strong place in the way Hip Hop continues to evolve towards conscious poetic messages for our global socio-polito-econo-naturalistic Earth concerns.

 

Thursday, September 20, 2012

A Raw Sun in Marikana


MARIKANA
by Ari Sitas

The digital images fold as the TV screen tires
The cops, rifles in cabinet, past their third beer are edging towards bed
The night is quiet as the smelter has been closed,
the only music is of the wind on razor wire
the ears are too shut to hear the ancestral thuds on goatskin
humanity has somehow died in Marikana
who said what to whom remains a detailed trifle
the fury of the day has to congeal, the blood has to congeal
I reverse the footage bringing the miners back to life
in vain, the footage surges back and the first bullet
reappears and the next and the next and the next
and I reverse the footage in vain, again and again in vain

The image of the man in the green shroud endures
Who wove the blanket and what was his name?
There are no subtitles under the clump of bodies, no names
stapled on their unformed skull
A mist of ignorance also endures, a winter fog
woven into the fabric of the kill
The loom endures too, the weaver is asleep
The land of the high winds will receive the man naked
The earth will eat the stitch back to a thread
What will remain is the image and I in vain
Reversing him back to life to lead the hill to song
In vain, the footage surges back
another Mpondo, another Nquza Hill, another Wonder Hill
the shooting quietens: another anthill

My love, did I not gift you a necklace with a wondrous bird
pure royal platinum to mark our bond?- was it not the work of the most reckless angel of craft and ingenuity? Was it not pretty?
Didn’t the bird have an enticing beak of orange with green tint?
Throw it away quickly, tonight it will turn nasty and gouge
a shaft into your slender neck
And it will hurt because our metals are the hardest- gold, pig iron, manganese
yes, platinum
Humanity has somehow died in Marikana

What is that uMzimu staring back at us tonight?
Darken the mirrors
Switch off the moon
Asphalt the lakes

At dawn, the driveway to the Master’s mansion
Is aflame with flower, so radiant from the superphosphates
of bone
of surplus oxygen and cash,
such flames, such a raw sun
such mourning by the shacks that squat in sulphur’s bracken
and I wait for the storm, the torrent, the lava of restitution
the avenger spirits that blunt the helicopter blades in vain

these also endure: the game and trout fishing of their elective chores
the auctions of diamond, art and share
the prized stallions of their dreams
their supple fingers fingering oriental skins and their silver crystals
counting the scalps of politicians in their vault

The meerkat paces through the scent of blood
I want it to pace through the scent of blood,
she is the mascot, the living totem
of the mine’s deep rock,
the one who guards the clans from the night’s devil
she is there as the restless ghosts of ancestors
by the rock-face
feeding her sinew and pap

goading her on:
the women who have loved the dead alive
the homesteads that have earned their sweat and glands
impassive nature that has heard their songs
the miners of our daily wealth that still defy
the harsh landscape of new furies
the meerkat endures-
torn certainties of class endure
the weaver also endures: there-
green blankets of our shrouded dreams
humanity has died in Marikana

The strike is over
The dead must return
to work.


-----------------
" (written after a tough two weeks and seeing Pitika’s miner sculpture with the green corrugated iron blanket) "

Tuesday, August 21, 2012

Athena and Chris Go to Madagascar.

  Husband and wife team weave visuals and syntax about Madagascar.   Read all about it here on Wavescape's breaking news story:  I Like to Move it : In depth about the Malagasy travels!

 and yes, it was our honeymoon.              Thank you TrueBlue Travel for organising a sweet trip!

Pirogues in in Fort Dauphin Tolagnaro-Libanona Bay

Beer at Talinjoo

Young Malagasy girl braving the warm yet winter Indian ocean

Learning French and Malagasy along the way in order to get a meal!

We thought this Lemur reminded us of Desmond Tutu-blessing us with his wisdom of the forests

What Madagascar produces: Vanilla

Young Malagasy boy fishing from a handline in Fort Dauphin Tolagnaro

Reef fish off the coast in Fort Dauphin, Tolagnaro

Ring-tailed Lemur in the Nahampoana Reserve


Monday, August 6, 2012

South African dance documentary films: "I dance as if I have gun to my head" Pop, Lock 'n Roll


There are incredible stories to be told.  And dancers who use their body to express and encapsulate emotion is a language, a story in itself.  I filmed African Cypher Dance Session on my phone at Fly on the Wall Production House in Cape Town, December 16th, 2011: Dance crews that perform and compete at contests like the Red Bull Beat Battle in South Africa and around the world.  Check the trailer link below.

  I have always been captivated by music and dance.  I couldn't resist the urge to film on my phone in the dark warehouse above Roeland St in Cape Town.  The pantsula artists had woven a whole sequence of comedy, sex, violence and gender roles with innovative movements that put the whole cypher into a hypnosis.
Now, another fresh young filmaker, Ziggy Hofmeyr, is raising funds to share a story with the world about dance, love and quest.  Pop, Lock 'n Roll -- Indiegogo: http://igg.me/p/191398

  If we support filmmakers, creactivists, dancers: Culture . . . then we will be preserving a tapestry of identity.   Go on to IndieGogo and support the projects that speak to you. Or better yet, tell us when your next project is!

Watch the film African Cypher, and support South African films like Pop, Lock 'n Roll to be made.


Monday, July 30, 2012

Video Love collage on our Beach Wedding Day: June 30th 2012



Our wonderful friend, Claire Homewood created this beautiful video montage of our wedding festival and ceremony on June 30th, 2012.  It is still so touching to relive those moments of supreme happiness and celebration with our family and friends.

 Umtamvuna River Lodge, Kwa-Zulu Natal, South Africa

Thursday, September 29, 2011

Quite a White Ou - Ndingumlungu - Full Version - YouTube

Quite a White Ou - Ndingumlungu - Full Version - YouTube: 'via Blog this'  The Music Video Link.

 HayiBo!

I had a lot of fun helping style some uMlungu outfits with Quite a White Ou.  So cool to see how everything came together. Thanks to Ubuntu Bridge, I got also go to up my Xhosa speaking skills to a Level 2.  It was a lot of useful learning.

In this video, eMzantsi definitely shows her true style around the Cape Peninsula.


 “Learn the Lyrics” video (http://www.youtube.com/watch?v=ogoLeUj2Y2U)

Or the lyrics can be found below:
INTRO:  Mamelani eh eh mamelani eh eh  x 2  – Listen y’all!
 CHORUS:
Ndisafunda isiXhosa                                    (Im still learning Xhosa)
Ndithetha kancinci.                                      (I speak a little only)
So Khawuzekelele                                       (So Please talk slowly)
xa uthetha nami                                           (when you speak with me)  X 2

VERSE 1:
Ndithetha kancinci kuba ndingumlungu*
I talk a little xhosa because I’m a white ou.
Ngikhuluma kancane kuba ndingumlungu
I talk a little zulu because I’m a white ou.
Andikwazi ukujiva kuba ndingumlungu
I don’t know how to dance because I’m a white ou.
Andikwazi ukucula kuba ndingumlungu
I don’t know how to sing because I’m a white ou.

REPEAT CHORUS:

VERSE 2:
Andithathi iteksi x2 kuba ndingumlungu
I don’t take taxis because I’m a white ou.
Ndiqhuba Mercedes x2 kuba ndingumlungu
I drive a Mercedes because I’m a white ou.
Andikwazi ukushela kuba ndingumlungu
I don’t pick up girls because I’m a white ou.
Ndithanda ukukempa kuba ndingumlungu
I love to camp because I’m a white ou.
Ndinxiba ishortsi kuba ndingumlungu
I wear shorts because I’m a white ou.
REPEAT CHORUS:

VERSE 3:
[Andiqondi (I don’t understand), andikuva (I don’t get you) x3, eh, andiqondi]  x 2.

VERSE 4:
Cool and Nice                                    Hot and Spice
Like vanilla ice                                    like pap n rice
You know I’m down,                        Come get down
Umlungu waseCape town                with ingamla yaseCape Town
(White guy from Cape Town)        (with the Whitey from Cape Town)
Hayi bo!!                                                Hayi bo!!                                                X 2:





  

Sunday, August 28, 2011

The 10000m dash of the 13th IAAF World Championships and the spirit of community


  
This morning I watching the men’s 10,000 metre dash of the IAAF World Championships in Daegu, South Korea 2011.  We watched the athletes run with various paces and wondered about the strategy that goes through the runner’s minds on what lap to push yourself. What goes through your mind when you are on your last lap giving your all?  Great Britain runner, Mohammed Farah, was in the lead for the last two laps with the two Ethiopian competitors, Ibrahim Jeilan and Imane Merga, strides behind.  Then in the last lap, Ibrahim Jeilan, lengthened his strides and picked up his speed to win the race at 27:13:81. Click here for results.
   The two Ethiopian winners, 1st and 3rd, were celebrating together and ran with the proud red, yellow and green Ethiopian flag together around the track. The smiles and happiness in both men's eyes reminded me of the beautiful celebration as community, because of many, we are one.  If you had not watched the race you couldn't tell which of the Ethiopian athletes won 1st place, they shared extreme happiness as they were both winners.  There is pan-culture in the world that emphasizes the ‘me’ commonly found in Western countries that are focused on a capitalist-money dictating government that creates a culture surrounding those ideals.  But there are many people around the world, in and outside the ‘me’ capitalist systems that practice a culture of community.  The Ethiopian champions running a victory lap together was a beautiful physical representation of the culture of community support.  Instead of I am; We are.  We celebrate who we are because of each other!  I hope we continue to live in a world with these communal ideals.

  

Thursday, July 28, 2011

Restless City, a film with rich visual script

Was like watching visual magic realism. Many shots used reflections upon reflections, weaving an emotional tale that engaged intimately with the two main characters, Djbril and Trini.  My favorite part about this film besides the incredible costumes, were each frame allowed your eye to digest into the detail, opening your senses to the story unfolding before you.  It all made sense when director, Andrew Dosunmu,     explained he came from a photography background.  This is a beautifully styled film that displays how essential cinematography serves as a visual script.
   Check out more on the film here: http://www.restlesscityfilm.com/#stills
   or see it Friday, July 29th at 10pm, Musgrave Centre, at the Durban International Film Festival.
    This foto was jacked from The Restless City website.  Photo by Jenny Baptiste. Respect.

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